Yasmin Watts works with what is small, intimate and easily overlooked: creases, corners, edges and spaces between things. Her sculptural environments form micro spaces where the body, material and surrounding space come into close relationship.

These spaces are not simply containers for the figure. They create situations of proximity and pause, where the boundaries between the body and its surroundings can shift. A figure may retreat, emerge, lean into a space or hold its edges, suggesting states of presence, transition and belonging.

Creases. Corners. Edges. Surfaces. Pauses.

These are not rooms or stage sets. They are fragments of space shaped around the body and the experience of being within it. They invite closeness rather than distance, encouraging us to look carefully and become aware of our own relationship to the space we occupy.

Light becomes part of this experience, changing what is revealed and what remains concealed. Openings, translucent surfaces and thresholds create moments of connection and separation, allowing space to become both physical and emotional.

The figures inhabit these environments not as declarations but as presences. Leaning, turning, reaching or holding the edges of space, their gestures suggest an inner state without defining it. The relationship between figure and environment becomes as important as the figure itself.

The micro spaces emerge through a process of layering and transformation. Reclaimed wood, cardboard and other materials carry traces of their previous lives, while the physical act of making leaves its own imprint.

Walls become skins. Voids become vessels. Absence becomes atmosphere.

Rooted in Watts's experience of living between cultures, these spaces consider how we inhabit our surroundings, carry memory and search for a sense of belonging. They are places that hold without owning, creating room for reflection, connection and the possibility of change.